![]() ![]() ![]() also since the mids are cut, the clean tone doesn't stand out in the mix, which means when you turn on the fuzz face, not only does it boost volume, but overall it helps you cut through the mix. This also solves the fuzz issue, because when you turn up a fuzz face's volume knob, it adds more mids and more bass, but when you have an amp that already is cutting mids and bass, it all evens out and it gives you this massive fuzz sound. We will grab you with our state of the art visuals. From synthesizers, delayed vocals, slide guitars and female back up singers, we leave no stone unturned, when it comes to our sound. This gave the tone a much more sparkly glassy sound similar to a plexi, but still with the hiwatts. About Echoes of Pompeii (Pink Floyd Tribute) Echoes of Pompeii is comprised of a 11 piece band (orchestra) to give fans the true sound of a Pink Floyd concert. the reason it sounds like a plexi rather than a hiwatt is because i think he cut the mids on the hiwatts and added more treble. Inside, pass from complete darkness into a sparkling cavern, lit by azure blue light, while the sounds of ancient Neapolitan song echo along the stone walls. The solution to both of these problems is with cutting mids. But when you turn up the volume knob of a fuzz face, it gets really dark and muddy, which isn't the sound he has on the album. Also, when he turned the fuzz face on, it was much louder than his clean tone. We are the best non touring Floyd tribute you will ever hear. I noticed his clean amp tone didn't sound like a Hiwatt, more like a marshall plexi. ECHOES OF POMPEII This Pink Floyd tribute from Gary Indiana is made up by regular hard working members of society who come together on stage to perform the best music from the best band rock and roll has produced in the past 50 years. ![]() So basically the actual rig he used was a strat, fuzz face, echorec, hiwatts ![]()
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